Week Six: Recovering a Sense of Abundance
The Great Creator
This section strikes me kinda off. I hate to say that but it’s probably the part of the book I have the biggest problem with, and not in a grumpy, skeptical way as I do with other essays in the book.
A lot of the quotes are obnoxious and somewhat contradictory to things she writes. And I think things she writes contradict each other and the lack of internal consistency bothers me. So does the feeling that this chapter drives home, that yeah this is written for middle class people or above, SES-wise, and that bothers me.
But I also think about how AW came out in 1992, and given book publishing timelines and her own telling of how AW came together, she probably wrote a lot of it in the ’80s, which was a different time in terms of cost of living vs. wages, families being okay on just one salary, and so forth.
It just seems like it’s geared towards people who are depriving themselves of joy out of some idea of martyrdom equals goodness, and I get that, but there’s something glib about it that I don’t like. Like yeah, a lot of people would love to dump a drudgy job, or put art first and money second, but for a lot of people that’s just not possible because the money concerns are survival concerns. It’s like Maslow’s hierarchy of needs. A lot of us would like to prioritize creativity more, but it’s hard to do if your basic needs at the base of that pyramid aren’t met.
Goals from Last Week – How Did it Go?
This chapter, like the name says, focuses on identity. It seems so simple, but I think a blurring of identity underlies a lot of creative blockage. It gets blurry because we get inundated with messages–family, friends, teachers, social media, TV at large–that tell us what we should want, who we should be. And there are parts of ourselves we give up for various reasons. It’s all too easy to get to a place where you’re going through life unsure of who you even are.
April Julia 