So here we are (again, for me, so many times over), Week One.
I’ve had a lot of false starts with The Artist’s Way, AW for shorthand as it’s known around my journals, so this chapter is well-trodden ground. So much so that some parts I know so well that I could give a good gist without reading it anew. Like knowing almost all the lines and all the music cues in a favorite pilot episode.
Technically, Week One in The Artist’s Way book will span two weeks here, since next week’s focus is on the Time Travel tasks from Week One (for the full schedule, check out the bottom of this post). So we’re easing in a little here.
Since this is the first post based on a Week chapter, I’ve been thinking a lot about how to structure the posts. I’m thinking I’ll go section by section through the chapter, giving a bit of commentary on each. I’ll pull out a favorite of the quotes scattered throughout the chapter, and then discuss or post excerpts of the tasks. I’ll pepper questions into each section. If you’re joining in, now or in the future, feel free to answer as much or as little as you’d like.
The picture on the right is a picture of my current Morning Pages journal, which is almost all used up.
Week One: Recovering a Sense of Safety
In this section, there are several examples given of how a blocked creative person can be a shadow artist. Sponsoring a creative person but not allowing your own creativity (there was an amazing story about a blocked billionaire who gifted an artist with a year’s living expenses so they could focus on their art, so I’m just saying that if there are any benevolent billionaires out there looking for creative people to sponsor, I’m right here). Investing in supporting a loved one’s creative career while never igniting your own. Representing artists, working as a critic, becoming an art therapist or a marketing exec instead of an artist, going to law school or med school instead of writing (ummm ooops?), all these ways of being on the periphery.
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